Design Wars
Fashion news – and the London fashion
scene is eagerly awaiting the latest collection from the Diasam
design house, which has become one of the most popular and well respected
design houses over the last few years.
Led by the team of Diana and Samantha Ball,
Diasam has been praised for the innovative and
pioneering use of material and design to meet the modern needs.
The film reel
showed the two women who had set up the fashion house. Diana Ball had long flowing strawberry blonde
hair, which fell over the shoulders of her powder blue trouser suit, while her
sister Samantha wore a green mini dress with a thick black belt and matching
tight boots that reached her knees.
From her seat
in the stalls, Bunty James watched the pair as they
were filmed at the last Paris Fashion week.
“Not this year,” she muttered to herself, “this year I may have the drop
on the famous Diasam house.”
The secret of their success has been
put down to brilliant innovation and hard work, but journalists have been
unable to get them to explain their incredible rise to prominence over the last
three years, after finding very little interest in their previous work. One thing is for certain, however, Diasam are at the forefront of London fashion.
Football...
Bunty let her mind wander at this
point. Diasam
had indeed appeared to have exploded out of obscurity three years ago – and
those she met at fashion shows had their own theories as to how they had
managed it.
The most
persistent rumour was that somehow they had managed to get all their winning
designs by less than honest means. A
number of people Bunty had known from her college
days, people who had shown real promise at student shows, had achieved nothing
– but when she had asked them what had happened, they just mumbled something
about losing their mojo, or not being able to come up
with anything as original.
That was the
main reason Bunty had not produced a show until this
year – she had gone into business with two others, Jemima and Hamble, and they had worked in secret for years, perfecting
their designs, following the trends and identifying the gaps, and in a few
short weeks time, she knew that her house would take the top place.
She settled
back to watch the rest of the show, relishing the rare afternoon off while Jem and Ham dealt with the last minute paperwork.
Stepping out
into the spring evening, Bunty rubbed her bare
forearms and walked down the street, the heels of her purple suede boots
clicking on the stone pavement. She was
wearing one of her own designs, a high collared purple mini dress that zipped
up the front, and opened just to the top of her breasts, and she could see the
admiring glances she was getting from the men and the women – for different reasons.
The walk to
the design studio was a short one, and she was soon entering the front door of
the warehouse, the heels of her boots clicking on the stone floor as she
approached the door that led to the studio.
The room was in silence, which made Bunty
pause for a moment as she put her hand on the door handle.
“Samantha? Hamble? Are you here,” she
said as she walked in, and then stood in a state of shock, staring at the
papers scattered over the floor. She
looked round, and then called our “SAM? HAM?”
There was the
sound of someone moving in the back office, so she stepped gingerly over the
files on the floor and opened the door. “Oh
my God,” she whispered as she saw who was in the office, and then ran in,
kneeling next to the two women as she desperately tried to untie the knot
holding the folded black silk square over the blonde’s mouth.
Both women
were naked, and were sitting back to back on the floor, their mascara running
down the cheeks of their faces and over the silk bands keeping them
silent. As Bunty
untied the scarf, she was horrified to see a silk stocking tied around the woman’s
head, holding a pair of panties in her mouth.
“Hold on,”
she said as she went to the main studio and found a pair of scissors, running
back in and very gently cutting the tight silk band away, then easing the
panties from her mouth. “Oh god oh god
oh god...” she mumbled as Bunty removed the gag from
the brunette sitting behind her.
“What
happened, Jemima,” Bunty said as she looked at the
two women, their bodies held together with an intricacy of rope that looked like
a net as it held them back to back.
Their legs were tied at the ankles, knees and thighs, and Bunty could not help but notice the ropes going between the
legs of her two partners.
“It.... IT was horrible,” the blonde said between
gulps of air. “I... I...”
“Don’t ask us
just now,” Hamble said as she looked over her
shoulder, “just untie us please.”
“But I need
to call the police, find out what...”
“NO!!!!!”
The shout
from both women shocked Bunty, as Jemima said
“Please, Bunty – no police. Untie us, and we’ll tell you what happened.”
Bunty hesitated for a moment, and then said
“all right – but what have they taken?”
“Everything,”
Hamble sobbed as Bunty
started to tackle the knots, “Everything...”
“They came in
just after you left,” Jemima said as she sat with Hamble
and Bunty in Luigi’s Espresso Bar, her hands around a
cup of coffee. Unlike Bunty, both of the other women were wearing jumpers and
jeans, which they had found in the trashed studio, and flat shoes.
“There were
two of them – female, wearing tight black sweaters, leggings and high
boots. They had leather gloves on their
hands, and black stockings pulled down over their heads.”
Bunty looked at Hamble,
who nodded as she said “We were just finishing the designs and getting the
material together for the first dress when they burst in – one of them had a
sawn off shotgun, and shouted at us to get on the floor with our hands behind
our heads. Well, we both did so, and
then the other one grabbed two scarves and gagged us with one each.
“Then they
made Jemima...” She started sobbing as Bunty took her hand.
“They made me
strip Ham to her panties,” Jemima continued, “and use some more scarves to bind
her arms behind her back, and then her ankles and legs. They then did the same to me, and they forced
us to kiss each other. They seemed to
take some sort of pleasure out of it, and I hoped that was all they were going
to do.”
The way
Jemima talked made Bunty feel that was not all that
happened. “What else did they do,” she
said quietly.
Jemima drank
from her cup, and then said. “They took
more scarves, and tied them around the base of our breasts – really
tightly. They then took one of the
rulers from the drawing table and...”
She visibly winced, and Bunty did not need to
hear any more.”
“They also
groped us, made us groan as they seemed to take delight in our distress and the
way we reacted,” Hamble said quietly. “And then they knelt behind us, reached
between our legs, and...”
Bunty looked at them, and said “oh lord – I
should have stayed this afternoon, maybe I could have done something...”
“Against
women with shotguns? Count your blessings you weren’t there.” Jemima shook, and then said “Then they took
everything.”
“Everything?”
“Everything
– the designs, samples, even the materials.
We had to watch them carry it out of the studio, and trash everything
else. Then they tied us the way you
found us, and told us not to go to the police.”
“You have got
to be joking, we need to...”
“They know
where we live,” Hamble said quietly, “they said if we
went to the police, they would come to our house, and make me watch as they
ravished Callie.” Callie was her younger
sister, a seventeen year old with long brown hair.
“They told me
they would force me to watch as they raped my mother, and then me, and then
killed my father.”
Bunty looked at them both, and then said
“Is that how they kept everyone else from going to the police?”
“We don’t
know who they...”
“I know – it’s
the same couple who threatened everyone else isn’t it? Well, their threats are no good on me – I’m
going to the police.”
“For the love
of God, Bunty,” Jemima said as she grabbed the young
girl’s hand, “Don’t do this. Please,
just let it go.”
“They took
everything – all my life’s work, everything I had was invested in that
collection. I’m not like you – I have
nothing else.”
“We’ll work something
out,” Hamble said, “but please – sleep on it. I’ll get some cleaners in to sort the studio
out – perhaps we can come up with something for next season?”
Bunty looked again at the two girls, and
then sat down. “All right – but I’m not
done with this,” she said as she sipped her coffee, “not by a long chalk.”
“Have you
seen this?”
Bunty walked into the studio and threw the
fashion supplement of the Sunday Times down in front of Jemima and Hamble, who were sitting at a table, looking at some
paperwork. The two women looked at the
large photo Bunty had directed them to, with a look
of fear on their faces.
“Samantha and
Diana Ball in their latest design,” was the caption under the photo, which
showed the two women sitting back to back on an antique lover’s seat. Diana was on the left, and wore a white lace mini
dress, the brocade pattern clearly visible on the long flowing sleeves and
skirt. Her legs were encased in a tight
pair of white leather boots that came just over her knees, buckled on the
outside.
Diana was on
the other side, in a cream short sleeved mini dress with a brown belt around her
waist, her long flowing brown hair falling over her shoulders as she stared at
the camera. Her boots were also white and
skin tight, coming up to just below her knees.
“That’s my
design,” Bunty cried out angrily, “and they’re
trumpeting it as part of their new collection!
I’m telling you, they’re the ones who did those things to you, and they
need to be reported to the police!!”
“But what
proof have you got, Bunty,” Jemima said as she stood
up and walked round the table. “They
took everything – notebooks, design notes, everything. It’s your word against theirs – and you know
what those two women said they would do.”
Bunty looked at her partner as she walked
to the window and looked out. She was
wearing a long chocolate brown jumper, with a checked skirt and knee length
front laced brown boots. A brown girdle
was fastened around her waist.
“Jem’s right,” Hamble said as she
stood up. She was in a grey sleeveless
dress, that buttoned up the front, over a silver silk sweater, and she wore a
pair of black knee length boots. Their
clothes had been picked to hide the physical scars from two months ago, but the
emotional scars were obviously still raw.
“Bunty, for both our sakes, and for the sake of all the
others, drop it,” Jemima said as she turned round. “We can make good some of the money you lost,
and we’re getting bespoke design requests.
Things are picking up, and...”
“And yet they
get away with this?” Bunty
turned round, her hands in her short cut red hair, and then said “No – I need
to get the evidence, and I will. You two
need to stay out of this, however.”
“Why?”
“Because,” Bunty said as she looked at both of them, “If they did this
to you, then better they think you had nothing to do with it. I’ll be in touch.” She turned and walked out of the door,
leaving the other two looking at each other.
Sitting in
the coffee shop on Regent Street, Bunty slowly
stirred the spoon in her cup, watching the beautiful young things as they walked
past. It was a warm August day, and she
was wearing a dress of her own design – a light grey fabric with a bluebell and
cornflower pattern printed on it. The
skirt and bottom half of the sleeves were half pleated, as the v-neck was lying
under a large pendant. A pair of knee
length white go-go boots completed her outfit.
“Miss James?”
Bunty looked up to see a tall dark haired
woman standing in front of her, holding her hands together in front of
her. She wore a pop art mini dress,
which barely covered her bottom, and knee length laced leather boots. Her hair was pulled up and held by a purple
scarf in a pigtail that fell down the back of her head.
“That’s me,” Bunty said with a smile, “I take it you’re Carol?”
The dark
haired woman sat down, and said “I must confess, I was surprised to get the
letter from you. I have no idea what you
think I can do for you.”
“More than
you might think,” Bunty said as she called the
waitress over, and Carol ordered a coffee.
“You work for the Balls, don’t you?”
Carol seemed
to stare into space, before she said “Samantha and Diana are great employers,
and...”
“But you used
to work for Jenny Hart, before she was forced to close down.” Bunty took a sip of
her own coffee, and said “I saw Jenny last week. She’s fine, if still a little upset over what
happened.”
Carol
blanched, and then said “She swore she would never reveal what happened between
us that day.”
“She didn’t,”
Bunty said as she smiled sweetly, “You just did. Don’t worry, I’m not going to say anything –
the same thing happened to my business partners, and I’m not about to drag them
into the light of the likes of the News of the World.”
“Look,” Carol
said as she leaned forward, “if you know what happened, then you know there’s
nothing I can do to help you. My advice
is to keep working, and hope they don’t notice you again.”
“Can’t do
that,” Bunty said as she shook her head, “they need
to pay for what they did – not just to you and Jenny, or to my business partners,
but to all the others. Carol, please –
will you help me?”
Carol looked
at the people walking past, before saying “What do you want?”
“All I want
is to know when the two she bitches are out of their studio – and for you to
let me in. After that, you don’t need to
know anything else.” She passed Carol a
piece of paper. “That’s my home phone
number – I’ll be waiting for your call.”
Leaving some pound notes on the table, she stood up and left the cafe,
Carol still sitting as she walked down the street.
“All right,
all right, I’m coming, I’m coming...”
Bunty wrapped the towel round her head and
fastened the cord round her dressing gown as the white Bakelite set rang, then picked up the receiver.
“Yes?”
“They’ll be
out of the studio all tomorrow afternoon from 1. Come to the back entrance – but you’ll need
to make it look as if you over powered me, or they will know it was me who let you in.”
“Overpower
you? What do you mean?”
“I’ll show
you – be at the rear entrance at one fifteen tomorrow. Fire escape at the back,
second floor.” The click on the
line was enough for Bunty to know she had what she
needed – a window of opportunity.
At one the
next day, Bunty was standing in a doorway across the road
from the Samdia studios, watching as the grey Rolls
Royce pulled up outside the main entrance.
She watched as the Ball sisters walked out and got into the back of the
car, throwing the butt of her cigarette down and crushing it under the sole foe
hr black leather boot as they drove off.
She had
chosen her clothes that day to blend in with the other office staff who were
walking round the new business park – a black sweater with a silver belt around
her waist, a blue mini skirt, and of course the knee length leather boots. As the other secretaries started to come out of
the buildings for their lunch break, she stepped out and mingled with them,
before slipping round the building and making her way up the fire escape.
The door
marked “SAMDIA HOUSE – KEEP CLEAR” told her where to knock gently as she looked
nervously round, waiting as the door opened and carol ushered her in. The young woman was wearing a white
sleeveless blouse with a large collar, a knee length skirt and three inch stiletto
heels.
“In here,”
she said as she led Bunty into an office, and she
noticed the silk scarves that were arranged on the table. “It needs to look as if I slipped out for a
ciggie, and someone overpowered me before tying me to this chair.”
She rested
her arms on the wooden supports, and crossed her legs, as she said “And be
quick – you need as much time as you can get to find what you want.”
“Well, if
it’s the only way,” Bunty said as she selected two
long chiffon scarves, green with a brown floral print on them, and used one to
tie each of her wrists to the chair arms.
“Not too
uncomfortable,” she said as she then selected a long black rectangle, made of crimpolene, and used it to tie Carol’s ankles tightly
together, before securing them to the leg of the chair.
“I’ve had
worse,” Carol said with genuine honesty, and Bunty
could see the look in her eyes. “Now
secure my legs together below my knees – use that green scarf – before you gag
me.”
Bunty secured the young woman’s legs
together, and then said “Gag you?”
“You need to
keep me quiet – take that purple and blue scarf, fold it into a pad, then put
it against my mouth, before you use one of the stockings to hold it there.”
“But that’s
what they did to my...”
“I know – it
sends a message. Just do it.”
Bunty carried out the request, stretching
the stocking as Carol opened her mouth slightly to allow the folded scarf to
sit between her lips.
“Nwwggg,” she mumbled as she watched Bunty
open the office door, look each way down the corridor, and walk out, closing
the door behind her. Carol listened to
the receding footsteps, and then relaxed, twisting round in the chair as she
began to enjoy her situation.
The studio
was deathly quiet as Bunty walked down the corridor,
opening doors and looking in at design tables, sewing rooms and fitting
rooms. She grimaced when she saw a row
of her designs hanging on a rack, ready for transport to a show, but held her
temper in check – she needed to find her notes.
Finally she
found what she was looking for – the office.
She walked in and closed the door, opening and closing filing cabinets
as she did so. Much of what she found
was the sort of paperwork you would see in studios – invoices, orders and so on
– but then she found a file marked “James Designs.”
“Bingo,” she
said to herself as she looked through the papers, recognising her own
handwriting on some of the pages, with additional notes either signed S or D. At the front of the manila folder she saw
written “Full collection, room 15, second shelf.”
“So that’s
where they’re keeping everything,” she said as she looked at the glass door of
the office she was in, the number 10 visible.
Closing the filing cabinet, she stepped out and looked up and down the
corridor, and then made her way to the room with 15 painted on the door.
Stepping
inside, she found herself in a large store room, and sure enough on one side on
the second shelf was a box marked James Designs. Putting the folder down, she lifted the box
off and put it on a table, lifting the lid and looking inside.
There they were, the notebooks, the files – and an envelope with “Bunty James” sitting on top of everything. Curious, Bunty
lifted the envelope out, opened it and took out the sheet of neatly folded
paper. She opened it, and read what was
written on it.
“Boo.”
The sweet
smelling cloth that was clamped over her hand took Bunty
completely by surprise, and she opened her mouth to scream, only to inhale the
fumes. As her eyes closed, she heard a
soft voice saying “Nice of you to drop in...”
As Bunty started to wake up, her head was thumping, and her
mouth felt as if she had been drinking Babycham all
night.
“Whthppnd,” she heard someone mumble, as if they were being
prevented from talking. It took a few
minutes for her to realise it was her own voice she had heard, and it was her
who had her mouth muffled.
As she slowly
opened her eyes, she realised that her arms were pinned behind her back, and
she was unable to move them. It took a
few minutes for her to awaken enough to feel the rough cords holding her wrists
together, and a few more to realise the squeaking she was hearing wasn’t a
mouse, but her own boots as they rubbed together under the ropes around her
ankles.
As she
managed to focus, she saw she was in the main office again, seated in a swivel
chair, and two women were looking at her – Samantha and Diana Ball.
“So this is Bunty James, the person who so generously donated to our
last show,” Samantha said as she raised Bunty’s head
and looked into her eyes. “I thought she
would be prettier. What do you think of
your designs on me , Bunty?”
Bunty groaned, but she had to admit –
Samantha Ball did look wonderful in her dress.
IT consisted of a sleeveless top half and a high waisted
miniskirt, linked by a series of metal loops around her bare midriff. The pattern was a swirl of pink, blue and
purple, and Samantha had a beaded belt tied loosely around her waist. On her legs were the over the knee white
leather boots from the photo shoot.
“Ntbdbdd bthrrmdsngs,” Bunty mumbled as she felt the silk on her tongue.
“No, they are
our designs – now,” Diana Ball said with a smirk. She was wearing a sleeveless yellow wrap
round mini dress with a red ruffed trim down the front and around the hem of
the skirt, and tight red leather boots.
One of which she lifted and put on Bunty’s
lap, the heel sinking between her legs as she said “Would you like to know what
we do with thieves?”
“Nhrnrmngctffs, thn,” Bunty said as she stared back at both of them.
“Well, she
has spirit, I grant you that,” Samantha said as she reached over and yanked the
knotted scarf from her mouth, the saliva soaked knot sitting on her
jumper. “Oh dear,” she said with a
smirk, “your nice cashmere jumper has stained.
We should wash it for her.”
“You little bitches,” Bunty growled, “I know
you stole my designs....”
“Stole is
such an emotive word – we took them and gave them life,” Diana said as she sat
opposite the bound woman, “they are actually exquisite designs. Pity your very small reputation is about to
be totally ruined.”
“What do you
mean,” Bunty said.
Samantha said nothing, instead picking up a series of photographs and
holding them in front of Bunty, as they depicted her
binding Carol to the chair and gagging her.
“Hidden
camera, so useful,” Samantha said as she put them down.
“I don’t care
– I’ll tell the police we did that to throw suspicion off...”
“Off my
lover,” Diana said as she looked at Bunty, smiling as
the young girl realised she had been set up.
“So,”
Samantha said as she stood up, and walked over to Bunty,
removing the scarf from around her neck, “the question is, what are you going
to do to prevent those photographs becoming public?” She reached down, and to Bunty’s
surprise Samantha placed her lips against hers, kissing Bunty
as she moved her jumper up over her chest, and thn
stepping back as she pulled it over her head and left it hand down over her
arms.
“Wha... What
do you think you’re doing,” Bunty spluttered as Diana
untied her hands, pulled her jumper down her arms, and then held them behind
her back as Samantha gently stroked a cream chiffon scarf up Bunty’s chest.
“It is so
rarely we get to really play with the women we visit – the stockings do tend to
get in the way – but you came to us, young Bunty
James, so we can do whatever we like.”
As she said this, she passed the scarf to Diana, who crossed her wrist
behind her back and started to secure them with the scarf. Bunty tried to
force her wrist apart, but the brunette was too strong – and the fact Samantha
was kneeling in front of her, massaging her shoulders as she was kissed again
was a distraction.
“Please,” Bunty said as she felt the touch of chiffon around her
arms, and her elbows were pulled back and forced together, “Don’t...”
“You have no
say in the matter,” Samantha said as she looked at the way Bunty’s
chest was forced out, “No say at all.”
Her hand gently stroked over Bunty’s chest,
and the young redhead had to suppress a shudder as she did so.
“I... I’m not...”
“Of course
you’re not,” Diana said as she picked up a large silk square, and wrapped it
around her chest as Samantha slid the straps of Bunty’s
bra off her shoulders, the cups of her bra falling off and under her chest and
the silk band, “nobody ever really is until they find out they are.”
“Is... Is this what you did to my partners?”
“The
dolls? It’s an open secret they’re lovers, Bunty – don’t tell me you never noticed?”
Bunty’s reply was replaced by a gasp as a
second band encircled her arms and body above her chest, and then Samantha tied
a small black scarf between her breasts, leaving them forced out and framed in
silk.
“What’s
happening to me,” Bunty whispered, “what are you... OH GOD....” her cry was the
result of the touch of Samantha’s lips on her nipples, her tongue playing with
her firm tips as she caressed her sides with her hands.
She had never
felt anything like this before, and she closed her eyes, unsure whether to
scream or cry out. Instead she began to
pant slowly as Samantha kissed and sucked on her chest, as Diana helped her to
kneel on the floor.
“Ahhhh oh god that feels good,” Bunty
was surprised to hear herself say, her voice deeper than usual, and even
sounding sexier. Diana reached round and
unfastened her skirt, pulling it down as she raised her legs to allow the
sister to remove it, and then heard the zip of her boots as they were removed.
“You were
saying,” Samantha whispered as she looked at Bunty,
her eyes bright as her hand moved between the young girl’s legs and stroked up her
panties.
“I.... I...
I....”
“Sit down for
me.”
Bunty found herself moving her legs as
Diana helped her, and then bending them, wanting rather than resisting as Diana
secured her ankles to her thighs with two more scarves, and then secured her leg
at each knee, the scarf going above and below as well as behind on both legs.
“You were
saying,” Samantha whispered as she stroked between the captive’s legs again.
“Gag me,” Bunty heard herself say, opening her mouth as Diana pushed
the cloth in and then tied the folded black band between her lips, Bunty closing her mouth over the silk packing and moaning
as Samantha pulled her panties down, her lips moving between her legs...
“They settled
out of court?”
“Kind of,” Bunty said as she sat with Jemima and Hamble. “They’re going to buy us out – in return for
keeping our silence.”
“But you were
determined to bring them to... oh my.”
Jemima’s eyes widened as she saw the size of the cheque Bunty placed on the table.
“So what will
you be doing,” Hamble said
as Bunty picked up her coat and headed for the door.
“Oh, I’ll get
by – I might try my hand at something else.
Look, good luck – you deserve it.”
The two women
watched as Bunty walked out, the high heels of her thigh
high purple boots echoing on the floor.
As she left the warehouse, Bunty breathed in
deeply, and then walked over to the waiting Rolls.
“Ready to go
to work,” Samantha Ball said as she got in.
“Ready,” Bunty said as she placed her silk gloved hand on
Samantha’s, and the car moved silently off...
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